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FILM/THEATRE/DANCE

Tasting Platter

A varied selection of some of my favourite tunes.

Tarantella! (2021)

Commissioned by Geoffrey Watson for The Australian Ballet

A musical dance to cure all that which ails ye. Imagine it is being performed by a monkey on an organ grinder.

JUMP - OST (2021)

Directed by Rosa Crompton

A writhing and densely-packed electronic score. Prepare yourself with sound good speakers/headphones.

Wonderland (2023)

Commissioned by The Australian Ballet.

A children's ballet for piano, flute, clarinet, and cello.

Curious and curiouser: this 30-minute score was recorded by the magnificent musicians of Orchestra Victoria.

Moonskin Fever (2022)

Directed by Tara Elliott and Hannah Bisewski

I envy the wolves who howl together. A vocal-led horror score full of isolation and melancholy. Collaboration with the masterful Catherine Brookman.

Dumbledore is So Gay (2021)

Music for the theatre show, directed by Tom Wright.

An intimate electro-acoustic score with a splotch of magic and two ridiculously Hollywoodesque time-travel cues.

MACHINAL (2015)

Incidental music for the play by Sophie Treadwell

An eery and dramatic score for string quartet, supporting Edward Dick's bold, brutal, and brilliant production. 

Microsoft GD&I Anthem (2021)

Commissioned by Microsoft for video sync.

This music is like a warm hug. A gently uplifting track to underscore other people's stories.

Microsoft Inspire (2019)

Music for the opening video of a Microsoft conference in D.C.

Get ready to skydive into a secret lair and defeat evil alongside your superhero buddies. Or something epic like that.

Sent to Cov - OST (2022)

Directed by Tom Wright

A radio banger.

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Coming Home - One (2018)

Beautiful, earth-shattering, satanic horns to spice up one's most satisfying nightmare (or dystopian fantasy).

Me, My Germs, and James OST (2019)

Directed by Anastasiia Vorotniuk

A light-hearted and quirky OST for a coming-of-age rom-com:

Orchestral sounds, tongues a-clicking, and a chorus of elastic-band-covered lunchboxes.

Same Different Each All (2019)

Commissioned by Microsoft for an installation in Las Vegas

From solo piano to soulful tunes to syncopated drums, this one is a journey. The brief was to be ever-changing, and ever-change it does.

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